The thing about getting to know Freddy Washington is that you immediately want to share him with other people. His unique brand of emotional, thought-provoking, Christ centered music is the sort of music that invites you in immediately, inspires and encourages every heart to draw nearer to God. A native of New Jersey, Freddy has had a heart for service from a young age. In fact, it was serving in his father’s music ministry that inspired him to venture into the music himself. Although he’s currently standing on his musical debut, he’s no stranger to the music industry. He garnered Grammy, Stellar and Dove Award nominations for production with artist Da’Truth and newcomer Melinda Watts. His musical blend is a beautiful reflection of his influences, legendary musicians like Andrae Crouch, Phil Collins, Kirk Franklin, Bruce Hornsby and Michael W. Smith. Freddy’s passion is to worship God, leading christians all over the world into His presence, singing of His boundless love for His people. After years of being faithful as the pastor of worship in his fathers church and while writing and producing for others, he began work on his first solo album entitled,
The Jesus Record. He dedicated countless hours and every resource available to him in order to create a record that he believes will help many remember their true purpose in life and that is to live with an intense gaze on what Jesus has done for us. “As we focus on Jesus and His sacrifice we are reminded of what it cost Him to save us and when we are reminded of this, worship will pour out of us” Freddy says “It will not only pour out in song but also in our lives”. When asked why he created The Jesus Record with such intentional focus, Freddy says reverently “There’s nothing better to sing of than the perfect love, peace and hope that is found in the truth of the Gospel of Jesus Christ. It’s the greatest story of redemption and salvation that the world will ever know and all who put their trust in the Lord shall be saved”
“WE ARE THE CITY”
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
